The Holy Shroud (Erection resurrection) 1, 2 and 4,
2024. Billboard’s backside, transfer print, paint.
6 x 1.5 metres.
Improvised Galleries for Recent Immigrant Artists
2024, unauthorised exhibition, part of the Nano Galleries project (2023–25); reverse side of fly posters; approx. 30 × 40 cm (each); Tate Modern and Tate Britain bathrooms, London, UK
Red Gallery
2025, part of the “Nano Galleries” project, foam, and concrete, London, UK
White Jesus Heads
2025– , AirTags (trackers), foam, concrete, plastic; 30 × 30 × 26 cm (each); London, UK.
Veronica’s Veil 1
2024. Fly Posters’s backside,
transfer print, paint, resin.
43 x 60 cm.
Veronica’s Veil 2
2024. Fly Posters’s backside,
transfer print, paint, resin.
43 x 60 cm.
The Holy Shroud
2024, billboard’s backside, Brazil.
Sebastian’s Gender Reveal Party
2024, Recovered billboards and fly Posters, paint, arrows. 2 x 3 x 18 meters, London, UK.
Sebastian’s Gender Reveal Party
2024, Recovered billboards and fly Posters, paint, arrows. 2 x 3 x 18 meters, London, UK.
Sebastian’s Gender Reveal Party
2024, Recovered billboards and fly Posters, paint, arrows. 2 x 3 x 18 meters, London, UK.
2nd Station of the Cross: Arrested.
2024. Fly Posters’s backside, transfer print, paint. 100 x 150 cm. UAL Art Collection, London.
MonoGallery (Cloud)
(2024) Prototype, part of the Nano Galleries project (2023–25); PLA and resin; 45 × 40 × 35 cm; presented at International Art Week 2024, Mallorca, Spain.
Gethsemane
(2015; 2024). Analogue Polaroid, 88 × 107 mm (2015) vs AI replica generated from text-only prompts, 84 × 59 cm (2024); London, UK.
10th Station of the Cross: Crucifixion.
2024, Fly Posters’ backside, transfer print, paint, 100 x 150 cm. London, UK
Passions
2023, analogue instant Photos vs. digitally printed art reproductions, 107 x 88 mm each, London, UK